VISUAL IDENTITY DESIGN IN ANIMATION PRODUCTIONS: EXAMPLE OF THE BATMAN SERIES (1992-1995)

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dc.contributor.authorKaraşahinoğlu, Şadi
dc.contributor.authorDönmez, Ahmet
dc.date.accessioned2025-01-21T16:11:18Z
dc.date.available2025-01-21T16:11:18Z
dc.date.issued2024
dc.departmentKırıkkale Üniversitesi
dc.description.abstractAnimated series for television have a long history. The first animation experiments began with short cartoons produced for the cinema in the 1920s and 1930s. However, it took a little longer for animation to become widespread and popular in the television environment. The 1950s and 1960s were the periods when animation became widespread on the television platform as television entered homes. During this period, Walt Disney, Warner Bros. Studios such as Hanna-Barbera and Hanna-Barbera began to present various animated series to television audiences; Especially the series produced by the Hanna-Barbera studio attracted great attention from television viewers, and many classic productions appeared during this period. It is also seen that the first visual identity designs for animation series were produced during this process. Visual identity has the power to leave a lasting impact on popular culture and is thought to play a key role in the success of animated series. From this perspective, research constitutes an important issue. Within the scope of the limitations of the study, only milestone animation series produced in the United States were discussed, and the aim was to analyze samples and convey expert opinions within the framework of the descriptive analysis method. Batman: The Animated Series (1992-1995), which constitutes the sample of the research, was examined in terms of visual identity elements such as logo, typography, episode covers, and color palette. It has been concluded that visual identity elements are also important in the branding process of animation series, in addition to technical details such as story, scenario, fiction and graphics; In addition, it is aimed to create a Turkish resource for relevant stakeholders.
dc.identifier.doi10.7456/tojdac.1419402
dc.identifier.endpage492
dc.identifier.issn2146-5193
dc.identifier.issue2
dc.identifier.startpage479
dc.identifier.trdizinid1230767
dc.identifier.urihttps://doi.org/10.7456/tojdac.1419402
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1230767
dc.identifier.urihttps://hdl.handle.net/20.500.12587/21453
dc.identifier.volume14
dc.indekslendigikaynakTR-Dizin
dc.language.isoen
dc.relation.ispartofThe Turkish Online Journal of Design, Art and Communication
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_20241229
dc.subjectMimarlık
dc.subjectFilm
dc.subjectRadyo
dc.subjectTelevizyon
dc.subjectGörüntüleme Bilimi ve Fotoğraf Teknolojisi
dc.subjectSanat
dc.titleVISUAL IDENTITY DESIGN IN ANIMATION PRODUCTIONS: EXAMPLE OF THE BATMAN SERIES (1992-1995)
dc.typeArticle

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