TECHNIQUES USED IN GROUP RECORDINGS OF STRINGS INSTRUMENTS

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dc.contributor.authorTanyeri, Bekir
dc.date.accessioned2025-01-21T16:28:34Z
dc.date.available2025-01-21T16:28:34Z
dc.date.issued2024
dc.departmentKırıkkale Üniversitesi
dc.description.abstractIn this study, the recording techniques for string instruments such as violin, viola, and cello in a group setting have been examined. The introduction section discusses the impact of developing technology on music production and the art of music. Following this, the history of sound recording is explored, with a focus on the techniques used in the 19th century. The study emphasizes how this journey has evolved up to the present day. In the findings section, live observations were made of group string instrument recordings conducted in three different studios. In the first studio, there are five violinists, while the second and third studios each have four violinists. Each of the three studios also includes one violist and one cellist. It was observed that different recording techniques and microphone placements were employed in each of the three studios. The precautions that should be taken when using both close and distant miking techniques simultaneously are discussed. The impact of XY miking techniques on group string instrument recordings is highlighted. Techniques used in recordings conducted in different rooms are also examined. As a result, it was found that the number of group members and the number of microphones used influenced the recording techniques. Large-diaphragm condenser microphones were preferred. It is noted that the stereo positioning that will be applied during the mixing stage actually begins during the recording process. Additionally, it is stated that time-based processors (reverb and delay), which are preferred during the mixing stage, are also used during recording, whereas dynamic and frequency-based processors should not be used during the recording phase. © 2024, Tolga Karaca. All rights reserved.
dc.identifier.doi10.51576/ymd.1534451
dc.identifier.endpage264
dc.identifier.issn2792-0178
dc.identifier.issue3
dc.identifier.scopus2-s2.0-85209101699
dc.identifier.scopusqualityN/A
dc.identifier.startpage241
dc.identifier.urihttps://doi.org/10.51576/ymd.1534451
dc.identifier.urihttps://hdl.handle.net/20.500.12587/23584
dc.identifier.volume7
dc.indekslendigikaynakScopus
dc.language.isotr
dc.publisherTolga Karaca
dc.relation.ispartofYegah Musicology Journal
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.snmzKA_20241229
dc.subjectAudio Recording; Digital Processors; Microphone Techniques; Music Technology; Recording Techniques
dc.titleTECHNIQUES USED IN GROUP RECORDINGS OF STRINGS INSTRUMENTS
dc.title.alternativeYAYLI ÇALGILARIN GRUP KAYITLARINDA KULLANILAN TEKNİKLER
dc.typeArticle

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